风流寡妇

劉別謙初嚐美高梅大製(zhì )作的派頭，一切筆法更(gèng )神采飛(fēi )揚。開敞的場景、空前的(de )排場讓(🛤)人物裏裏外外恣意張開：寡婦的心更顯孤獨，男女的(🚤)愛更(gèng )加(🐿)沒處安放。坐擁小國大部分財富的寡(guǎ )婦忽然要搬到巴黎重(chóng )新尋找生活色彩，國王唯恐國祚(zuò )不(bú )(🤯)保(😱)來一招美男計，派出風流(🔩)種子色誘(yòu )寡婦。本來一個用情一(🎛)個求性，幾番邂逅與折騰，改寫了男男女(㊙)女的基本需要。歌與(🍄)舞沒有賣弄甜膩，反而放在愛情的沉重中換來了歌(🚴)頌。歌與影(yǐng )無間交流，劉別謙輕歌劇巔峰(🛎)之作，亦成(😊)了荷里活極有代表性的一章。司花利亞與珍(zhēn )娜．麥當奴最後一(🈺)次合作，後者散發從未有過的成熟韻味。堪稱最(zuì )性感的音樂劇。　　Rated the sexiest musical in the thirties, The Merry Widow could well be the sexiest musical ever. Jeannette MacDonald, sensual and majestic as a Persian cat, is the wealthiest widow in the kingdom of Marschovia. On a visit to Paris, she attracts a flurry of gold-diggers. To prevent her fortune from passing to foreign hands, the king sends a romantic envoy to court her. He chooses Captain Donilo, whose cavalier attitude to women is not limited to his rapport with Maxim's girls, girls, girls. Osé but not blasé, this elegant adaptation of Franz Lehar's operetta out-classed von Stroheim's silent in opulence, culminating in the grandest of grand balls.　　Source 28th HKIFF……